Atomos Ninja V 5″ 4K HDMI Monitor

$499.00

Product Highlights

- 1920 x 1080 Touchscreen Display
- 10-Bit Exterior Viewable Monitor
- 4K HDMI 2.0 Input/Output
- Supports ProRes RAW with Select Cameras
- 1000 cd/m² Brightness
- AtomHDR Mode with 10-Stop Dynamic Range
- 10-Bit 4:2:2 ProRes & DNxHR Encoding
- Records to 2.5″ Mini or Standard SSDs
- Supports Multiple Log Formats
- Single Sony L-Series Battery Slot

6 in stock

UPC: 814164021074 SKU: ATOMNJAV01 Categories: On-Camera Monitors, Recording Monitors, Recording Monitors Tags: 4k, Atomos, HDMI, Monitor, Recording, Touchscreen

The Atomos Ninja V 5″ 4K HDMI Recording Monitor is a 5″ on-camera monitor/recorder that records and plays back up to DCI 4K and records to purpose-built mini-SSDs. This monitor can record Apple ProRes Raw up to DCI 4K60 directly from the sensor of select cameras. Display features include a 10-bit screen with a brightness of 1000 cd/m² AtomHDR technology for accurate monitoring of your log gamma footage, and support for popular log formats from Sony, ARRI, Canon, JVC, Panasonic, Nikon, RED, Sony, and Z CAM cameras.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, anamorphic de-squeeze, and focus assist tools. Separately available AtomX SDI, AtomX SYNC, Connect 4K modules, and an SDI Raw license key to further expand your Ninja V’s capabilities. Firmware update 10.61 brings customized timecode sequences that can be saved as a single file.

5″ Daylight Viewable Screen

The Ninja V features a 5″ IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

Recording Codecs Including Raw over HDMI

Record Apple ProRes and ProRes Raw with select cameras at rates up to DCI 4K60 and up to 120 fps in HD
Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras
Avid DNx compatibility enables wide camera and editing software compatibility

Bright 5″ Display with AtomHDR

Display ten+ stops of dynamic range of your camera’s log image with AtomHDR
1920 x 1080 display with 1000cd/m² brightness for daylight viewing
10-bit color processing and user calibration
Supports custom LUTs

DSLR and Mirrorless Camera Support

Compatible with virtually any HDMI or SDI source including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM

4K 60p Capabilities

Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording

Record to standard 2.5″ SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

User Calibration

Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

Anamorphic De-Squeeze

The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

Selectable Markers

A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Game Capture

Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Audio Input/Output

Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

Optional Expansion Modules

AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion
SDI Raw activation key
AtomX SYNC for wirelessly synced, timecoded multicamera capture
Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60

Note:

SDI Raw is not supported on Sony FS700, F5, and FS5 cameras.

Supported Log Formats

ARRI Log C
Canon C-Log, C-Log 2
FUJIFILM F-Log
JVC J-Log
Nikon N-Log
Panasonic V-Log
RED LogFilm
Sony SLog2, SLog3

HDR Recording (Gamut)

ARRI Log CEI160, CEI200, CEI250, CEI320,
ARRI LogCEI400, CEI500, CEI640, CEI800
ARRI LogCEI1000, CEI1280, CEI1600
Canon C-Log, C-Log 2, C-Log3
FUJIFILM F-Log
HLG
JVC J-Log1
Nikon N-Log PQ10K
Panasonic V-Log
RED LogFilm, RG310, RG312
Sony SLog2, SLog3

HDR Monitoring (Gamma)

ARRI ALEXA Wide Gamut
BT.2020
Canon Cinema, DCI P3, DCI P3+, BT2020
JVC LS300
Nikon N-Log PQ10K
Panasonic V-Gamut
Rec.709
RED DRAGONcolor, DRAGONcolor2
REDcolor2, REDcolor3, REDcolor4
REDWideGamut
Sony S-Gamut, S-Gamut3, S-Gamut3.Cine
Sony SLog2, SLog3

HDR Monitoring (Gamut)

ARRI ALEXA Wide Gamut (mapping to Rec709/BT.2020/DCI-P3 on loop-out)
BT.2020
Canon Cinema
DCI-P3, DCI-P3+
Panasonic V-Gamut
Rec.709
RED DRAGONcolor, DRAGONcolor2
REDcolor2, REDcolor3, REDcolor4
REDWideGamut
Sony S-Gamut, S-Gamut3, S-Gamut3.Cine

Time-Lapse

Record a time-lapse video as a single file
Available in ProRes, DNx, and ProRes Raw over HDMI or SDI
Time-lapse sequence options include:

Number of frames/seconds captured
Intervals between frames/seconds/minutes/hours
Duration of sequence in frames/seconds/minutes/hours

Compatibility Mode for HDMI and SDI Inputs

Increases stability of input/output locking for 12G-SDI
Improves signal locking from select cameras including:

Z CAM
Canon EOS 1D X Mk II on 4Kp50/60 video

Monitior Leica L-Log Gamma in BT2020 Gamut

Supports Leica SL 25 only
Support for other models available in future updates

Weight	3 lbs
Dimensions	8.2 × 5.8 × 4.3 in

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